5 STARS, June 12–17. This may be a life story not a love story, but the passion is by no means lacking in this stunning adaptation of the Charlotte Bronte classic, says Jane McGowan
Brinkhoff/Moegenburg
A few weeks ago, I interviewed Sally Cookson, the director of this production of Jane Eyre. Cookson said she had always viewed the novel, “as a clarion call for human rights”, describing Jane as “a character who strives for personal freedom to be who she really is”. And on witnessing the production last night, I can only say that Cookson’s vision and Nadia Clifford’s portrayal of Jane were absolutely breathtaking.
The piece opens with Jane’s birth, with various voices echoing, “It’s a girl” before one-by-one they fade leaving the infant in the care of the austere Aunt Reed. Here we get our first glimpse of the Victorian morals that dominate Jane’s early life, as the 10-year-old orphan, punished simply for not being one of Reed’s own brood, is locked in the Red Room, the place in which her uncle died and where ghosts lurk. From there Jane is banished to Lowood, the epitome of an authoritarian, despotic Christian institution, where children are beaten by God-fearing masters for having dirty nails.
But Lowood is no match for Jane’s resilience and despite the misery she blossoms into a capable and educated woman ready to embark on her next adventure. Which is of course, as a governess in the home of one Mr Edward Rochester.
Brinkhoff/Moegenburg
Cookson was determined to make this version the story of Jane’s life and not just the story of her love for Mr Rochester, as favoured by many other directors. So it is well into the second half before romance blossoms between the feisty Jane and her imposing employer.
This production is absolutely magnificent from beginning to end. From Clifford’s awe-inspiring performance as Jane to Paul Mundell’s nuanced turn as Rochester’s faithful hound Pilot, each member of the 10-strong company is quite simply a triumph. It is an incredibly physical piece enacted around the striking wood and iron playground-style set designed by Michael Vale, which sees the actors and musicians constantly climbing, running and marching throughout the action.
Jane Eyre garnered great reviews when it was at The National Theatre, and there are no prizes for guessing why. It is now embarking on a UK tour and is not to be missed!
- Jane Eyre is at Richmond Theatre from June 12-17. For tickets, visit: atgtickets.com
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